| Land | Österreich |
|---|
| Beschäftigungsart | Komponist, Interpret |
|---|
Thomas Larcher completed his studies at the University of Music and Performing Arts, Vienna under Heinz Medjimorec and Elisabeth Leonskaja (piano), and Erich Urbanner (composition). He became well-known as a pianist whilst at university, focusing particularly in the area of contemporary music.
Larcher has performed under conductors such as Claudio Abbado, Pierre Boulez, Dennis Russell Davies and Franz Welser-Möst, and worked closely with composers such as Heinz Holliger, Olga Neuwirth and Isabel Mundry. He is also active in the sphere of music festivals: he founded the “Sound Traces/Klangspuren” festival (which he ran from 1993 to 2004) and the “Music in the Giant/Musik im Riesen” festival, which he has been running since 2004.
For some years now, Larcher has dedicated himself primarily to composing and is today considered one of the leading composers of contemporary classical music in Austria. His early works (including “Naunz”, “Cold Farmer” and “Kraken”) are scored almost exclusively for piano and chamber orchestra. In recent years, his oeuvre has also encompassed, alongside chamber music (String Quartets 2 and 3, “My Illness is the Medicine I Need”), more compositions for orchestra and ensemble, as well as works for soloist and orchestra (e.g. “Böse Zellen”, “Die Nacht der Verlorenen”).
Larcher has written numerous compositions for internationally renowned soloists and ensembles such as the London Sinfonietta, the Artemis Quartet, Heinrich Schiff, Matthias Goerne, Till Fellner, the Radio Symphony Orchestra of Vienna and the San Francisco Symphony Orchestra. He has been commissioned by the Lucerne Festival, London’s Southbank Centre and Wigmore Hall, and the Zaterdagsmatinee in Amsterdam.
