Born in 1938 in Benningbroek, the Netherlands, Jan Vriend started to play the piano under his father’s guidance at the age of five, soon followed by the clarinet, the violin and the organ. Throughout his childhood he was extensively involved in local amateur music making, working in particular with the choirs and bands his father conducted. Following grammar school he received further musical training at the Amsterdam Conservatoire where he studied piano, music theory and composition (with Ton de Leeuw). He also attended a percussion course at the Utrecht Conservatoire and a foundation course in electronic music at the Institute of Sonology in Utrecht.
In 1967 he received the Prize for Composition followed by a government grant for studies in Paris where he attended classes by Xenakis at the Schola Cantorum, and workshops at the Groupe de Recherches Musicales (ORTF).
From 1970 he studied mathematics and related sciences, primarily in view of their application in musical composition.
In 1968/69 he taught music-theory and conducted ensembles for contemporary music at the Utrecht Conservatoire.
He was awarded the Schnittger Organ Prize for his composition HERFST in 1966, and the first prize at the 1970 International Gaudeamus Competition for HUANTAN.
From 1961 until 1970 Jan Vriend conducted choirs, ensembles and orchestras in music ranging from the early 15th century to the 20th century avant-garde.
In 1965 he founded ASKO together with Peter de Buck. Initially a student-orchestra of the two universities of Amsterdam (ASKO stands for Amsterdam’s Studenten Kamer Orkest) the ensemble soon specialized in the study and performance of contemporary music, with an emphasis on the music of Xenakis, Webern and Varèse. It has since developed into the well known ASKO Ensemble. Until 1971 he was its conductor and artistic director.
He has lectured extensively on various topics relating to composition. In 1971 he presented a radio-series on ‘different ways of listening to music’ together with Jos Kunst, with whom he also engaged in improvising experimental background music to poetry readings and radio plays on Dutch radio.
Between 1989 and 1994 he was conductor of the New Stroud Orchestra in Gloucestershire, England, where he lives and works.
In 1995 he began playing the piano professionally again. He made a particular start with Albeniz’s Iberia Suite, including his own version of Navarra, which he played a number of times at home and abroad. The main focus of his repertoire are Bach, Beethoven, Schubert, Chopin and Debussy.
Please visit Jan's own website at www.janvriend.co.uk